November 17, 2011   11 notes
zizart:

(via Antoine Correia
)

zizart:

(via Antoine Correia

)

November 16, 2011   1 note
[Flash 10 is required to watch video]

Feedback Painting!

Now, this is only a test. I’ve been working out how to precisely calibrate and position the camera relative to the screen in order to get what I call a “Stable Feedback Pattern.” In a SFP the visuals do not want to change. They don’t want to fade to black (due to underexposure) or bleed to white or other colors (due to overexposure and color imbalance). They also do not want to move side to side, up and down, or rotationally (due to improper camera alignment). It’s not as easy as it sounds, but I’ve gotten close. Also, the icons are a result of my own camera outputting those to the live view. This can be remedied with a video camera or, preferably, a Canon 5D. Also playing around with rear and front projection, though at this point, I prefer the rear projection, meaning that whatever live action is preformed in front of the camera does not have a feedback pattern projected onto it.

I am also working on logistics to experiment with this method on a MUCH larger scale.

November 8, 2010

askchaz asked: IF you had to name, and show examples, of 2 most important abstract artists or works based upon time period, methodology, message, or other, who/what would it be and why?

First, I think there are WAY too many important Abstractionists in Art History to narrow it down to just two. Abstraction is not an artistic movement, but rather the means to an end. Those ends are different throughout the course of history as they are different from artist to artist.

One artist may use abstraction as a way of breaking down visual complexity in attempt to get the the very core of “Art” itself. This was Piet Mondrian’s goal. “The de Stijl movement was grounded in the conviction that there are two kinds of beauty: a sensual or subjective one and a higher, rational, or objective - ‘universal’ - kind.” (Stokstad, “Art: a brief History,” 1999) Mondrian sought to simplify his art to find the second kind of beauty, the universal and objective that he believed was inherit in ALL art regardless of medium, method or movement. He limited himself to the use of primary colors (that is, the painting primaries: Red, Yellow, and Blue) and straight lines (which in turn created rectangular and square-shaped areas on his canvas). I think he was important because he saw abstraction as this means to an end. He pushed abstraction ever farther (though there have been those that went far beyond what Mondrian had done visually, but they mostly were postmodernists less concerned about the visual qualities of their work and more about what exactly those visual qualities meant. More on this in a bit). He truly tried to find what ties all art together and illustrate that precisely, accurately, but most importantly, DIRECTLY.

Of course, artists seem get distracted with other things or become interested in new things. The second artist I feel is worth noting specifically is, much to my dismay, Jackson Pollock. Don’t get me wrong, it’s not that I don’t like the man or his ideas nor is it a misunderstanding of what he attempted to with his work, I just would never buy a Pollock, even for $1. I don’t enjoy his work, but it is important. It was revolutionary, in fact. He used abstract as a means of illustrating something that can never be truly recorded and experienced by others, the act and movement of painting itself. He saw that when art is observed, it is only seen for it’s final product. What he wanted was to portray the motions he went through to obtain a brushstroke, the movement of his arm through the air as paint releases from the tip of his brush to fly through the air and end up on the canvas. This was always implied by other art, but never portrayed and largely ignored. It was ethereal, it didn’t really exist unless you happened to be in the studio of a painter or sculptor witnessing these movements firsthand. Pollock’s works brought forth these actions out of the ether and presented them, via abstraction, to an audience who had never really stopped to think about the processes and actions through which all art is born.

October 14, 2010   1 note

Apologies for the Absence

I apologize for the recent lack of posts (to anyone out there who actually reads them). I’ve been pretty busy with a couple of gigs I’ve got going on. One is some video for a Halloween show featuring Imaginary Color(s), and the other is a project for Xmission’s 400 South location in Salt Lake City (which is going to be interesting; their screen is only 171 x 32 pixels).

I’ll start posting again once these projects come to a close. The previous show for Imaginary Color(s) went extremely well! I’m glad they liked my work well enough to ask me back for a second show! Thanks!

October 1, 2010   54 notes
It’s a shame that the use of mathematics in art is somewhat lost knowledge. It’s very much like magic; there was a time when it was an exact science, but now it’s seen as something that’s mystical and guided by intuition and rummaging around in the dark for whatever may reach out and grab you.

kvetchlandia:

Man Ray   Design and Type-set for the Poem “La Logic Assassine” by Adon Lacroix     1919

It’s a shame that the use of mathematics in art is somewhat lost knowledge. It’s very much like magic; there was a time when it was an exact science, but now it’s seen as something that’s mystical and guided by intuition and rummaging around in the dark for whatever may reach out and grab you.

kvetchlandia:

Man Ray   Design and Type-set for the Poem “La Logic Assassine” by Adon Lacroix     1919

September 30, 2010

Bat carts.

http://benchatwalks.tumblr.com/post/975334256

September 29, 2010   205 notes
fhwrdh:

oieouio:

themurkydepths:

unrealitycircle:

allthatshines:

ummhello:(via pedro kok)

fhwrdh:

oieouio:

themurkydepths:

unrealitycircle:

allthatshines:

ummhello:(via pedro kok)

September 29, 2010   29 notes
thegreatgildersleeve:

Natural brushstrokes.

thegreatgildersleeve:

Natural brushstrokes.

September 29, 2010   29 notes
zizart:

http://www.antonymicallef.com

zizart:

http://www.antonymicallef.com

(via zizart)

September 29, 2010

Reader Response

“Abstract art is the most common and widely practiced artistic movement.”

What do you think?